W.A.Mozart / C. Czerny: Requiem


Displaying cd requiem.pngProducent | Produced by Daniel Svenšek
Snemalec | Recorded by Aleksander Govekar
Mastering | Mastering by Daniel Svenšek, Martin Žvelc
Oblikovanje | Design by Matej Zupančič , MEDIANOVA
Prevod | Translation by Christina Thaler
Uredila | Editor Tanja Svenšek
Tisk in izdelava | Printed by Založba kaset in plošč RTV Sloveni ja
Slika na nas lovnici | Cover photo Mrtvaški ples , fresk a v cerkvi sv. Trojice,
Hrastovlje, 1490, detajl | Danse Macabre fresco, Church of the Holy Trinity, Hrastovlje, Slovenia, 1490, detail

 

Recorded live at a concert in the S t. Jacob's Church in Ljubljana on 3rd April 2012.

 

 

 

 

 

1. aplavz | applause 0:23

2. Introitus, gregorijanski koral | plain chant (Graduale Romanum, Ciera, 1643) 2:32

3. I. Introitus: Requiem aeternam 6:02

4. II. Kyrie eleison 2:29

III. Sequentia:

5. Dies irae 1:50

6. Tuba mirum 3:48

7. Rex tremendae maiestatis 2:13

8. Recordare, Iesu pie 4:49

9. Confutatis maledictis 2:38

10. Lacrimosa dies illa 3:21

11. Tractus, gregorijanski koral | plain chant (Graduale Romanum, Ciera, 1643) 2:37

IV. Offertorium:

12. Domine Iesu Christe 3:47

13. Versus: Hostias et preces 3:28

V. Sanctus:

14. Sanctus Dominus Deus Sabaoth 1:46

15. Benedictus 5:35

16. VI. Agnus Dei 3:00

17. VII. Communio: Lux aeterna 6:13

18. aplavz | applause 3:01

19 * dodatek | encore: W. A. Mozart, Ave verum corpus, KV 618 (1791), prir. | arr. Franz Liszt (1811–1886) okrog | around 1861 3:39

20. aplavz | applause 1:46

skupaj | total 64:57


The recordings were made with a spaced pair of microphones. They are truly genuine, unmixed and no echo or other acoustic transformations were added. Such phase stereo (stereo caused by time (phase) difference between the channels), reproduced on speakers, cannot show its true face, but reproduced on headphones it is as realistic as it gets. Therefore, we recommend that you use headphones for reproduction.